Beyond This Cataclysm of Making & Unmaking
a review by Dan Manchester
November 2009
- Bellevue Literary Press, 2009
- Paperback, $14.95
- ISBN: 978-1-934137-12-3
Tinkers is the story of George Crosby’s final week (and a day) of life. It is also the story of his father’s life. And his father’s life as well. And generally of families. And reasonable horologists and their reasonably ticking clocks. It also contains at least one complete catalog of household items, an assortment of early 19th century Maine farm animals, disappearing American Indian hunting guides, a tattered bear rug that is treated as a bemusing family member, a funeral pyre for a field mouse, pastoral vignettes reminiscent of both Edward Hoagland and Thoreau, an epileptic poet and his lyrical prose, a father who exists only in “brief disturbances of shadow and light,” sentence upon beautiful sentence longer than this review, and so much more. All in a novel just shy of 200 pages.
While like Whitman, Tinkers does contain multitudes, it does not possess much by way of traditional plot. It is a meditation on life and time. It is the deathbed mental dismantling of a life and the lives that led to it; it is a skilled second-generation tinker taking his 80 years apart in hopes that it all might be put back together again in some working order. “The wonder of anything was that it was made in the first place,” George’s father, Howard, tells us in what may be a memory. “What persists beyond this cataclysm of making and unmaking?”
I say it may be a memory, because the third person narration jumps, like Billy Pilgrim, randomly through time. And occasionally moves to both first and second person. And incorporates the language and rhythms of antecedent eras and outside texts (including the wholly fictionalized and wonderful 1783 Reasonable Horologist pamphlet by the Rev. Kenner Davenport). Yet the parts making up these parts—Paul Harding’s words holding this story in place—are masterful. It becomes evident early in these pages that Tinkers is a finely crafted matrix of inter-working parts that add to something truly remarkable.
Dan Manchester is editor of Suss: Another Literary Journal.

