General
You’d do well to poke around the site a bit, reading what we’ve published. This should stand as common practice whenever you plan to send work anywhere, but we thought we’d remind you. It would also help to read through these (or any) guidelines in their entirety.
That said, we’ll add this: we have a wide range of interests and find value in a great variety of styles, schools, and voices. If the phrase hadn’t been overused to the point of meaninglessness, it would be appropriate here for us to highlight our eclectic tastes. Instead, we’ll say that we hold among our collected favorites the big names of whatever canon the American reading public might want to agree on; the lesser names among post-avant poets and (post)postmodern fiction writers; mainstream journalists; clear headed academics; fringe bloggers; and so many more. We like genre mysteries and sci-fi as much as we like literary fiction, long-dead high modernist poets as much as recent practitioners of flarf. Our tastes veer toward the accessible and the moving—we like laughing as much as we like navel-gazing—though we’re not averse to what John Ashbery calls “something with a certain amount of crunch and resistance to it.” No matter the genre, style, or manner of construction, we are ultimately concerned with the quality of writing. A subjective rubric, yes, but the only one we have. Additionally:
- We accept submissions year-round.
- Simultaneous submissions are encouraged.
- Previously published work is not accepted.
- All submissions must be made through our online submission page.
- We can very likely read any file format you can send us. We prefer .doc, .odt, .pdf, .rtf, and .html files, but feel free to send us what you’re most comfortable with. If we can’t open it, we’ll let you know.
- If you are submitting more than one piece of work (ie, five poems or three short-shorts), please combine them into a single file.
- Name your file as follows: [your last name].[genre you’re submitting to].[file extension]. For instance, if you are Frank O’Hara, are submitting poetry, and write your work in MS Word, your file should be named “ohara.poetry.doc”. This helps us organize submissions more easily and limit the number of files lost in the shuffle or needlessly duplicated.
- Really, please adhere to that naming convention for your files. Seventeen files a week named “poems.doc” or “suss.doc” helps no one and slows down our turn-around.
- We do our best to respond with our decision within one month.
- Please limit submissions within a single genre to one submission every three months.
- We are open to collaborative and co-written work. For the purposes of the submission manager, we simply ask that you provide the name and contact information of only one author. Any additional authors’ information can be included in the submitted file.
- If your work doesn’t clearly fit into our genres but you think its spirit is in line with ours, please send it anyway and let us figure it out. This may include comics, short videos, collage work, text-heavy visual art, short plays, what have you. If you feel we’d be a good home, we’d like to take a look. Simply choose “other” from the drop-down genre menu when submitting.
- If your work is accepted, we can offer as payment only our gratitude and as much publicity as we can muster for your causes going forward.
Poetry
Please submit 3-5 poems at a time. There are no length restrictions; however, keep in mind that your work will primarily be read on a screen so choose what you send us accordingly.
Fiction
Please submit one long piece or up to five short pieces. We leave it to you to make the distinction. While there is no set maximum length, we’ve found that anything over 5,000 words gets a bit cumbersome to read on a screen. Of course, if you’ve got the goods and it clocks in north of 5K—sure, we’ll take a look.
Nonfiction
Please submit one long piece or up to five short pieces. We leave it to you to make the distinction. While there is no set maximum length, we’ve found that anything over 5,000 words gets a bit cumbersome to read on a screen. Of course, if you’ve got the goods and it clocks in north of 5K—sure, we’ll take a look.
The Learning Annex
The Learning Annex column arose from an observed need for open source lesson plans for reading and writing both in and outside of the academy. Structurally, we’re open—there is equal need for formal lesson plans, notes toward a lecture, writing prompts, and ruminative personal essays about the teaching experience. Length is variable, as is focus. A contribution to the Learning Annex might tackle a broad discipline-wide topic, present a very narrow writing exercise, or talk about the use of a single work as a way in; it may be a few paragraphs or several thousand words. Ideally, it should be something an author feels compelled to talk about and feels a broad audience could take from and put into practice. If we can answer any additional questions for you, please contact us.
Interviews
Whether you have an idea for an interview subject or have conducted an interview and think we may be a good home for it, please query us first. You will want to tell us why Suss would be a good home for the interview, if you would need us to arrange the interview, any additional information that might make it impossible for us to pass up the opportunity, and all pertinent contact information.
Reviews
Book reviews are limited to 250 words and a primarily positive slant. With so many options in the world, we see no reason to waste our time or yours telling people what not to read. We are open to reviews of recent publications or older publications that have since been wrongfully forgotten or neglected. It is on the reviewer to prove that last point.
We typically prefer to limit recent publications to those from small or independent presses. While we’re certain Haruki Murakami’s next book will be spectacular, it won’t need the meager publicity Suss might bring to it. A new title from your favorite small press just might.
If you’d like us to review your book, please contact us. If you’d like to become a regular reviewer, please send a request accompanied by whatever you feel is appropriate.
Gossip!
Every month the collective Suss body (including current authors, editors, readers, etc.) point to some number of things currently interesting us (be it a book, a building, the awesome peony bush outside their kitchen window, an idea they particularly like...) and explain to us, in a sentence or two at most, why we should also spend some time with this thing of theirs. If you’ve got some thing currently interesting you and think we and our audience might also find it interesting, send us a message. Please limit yourself to a sentence or two at most in telling us why this thing of yours is so awesome that we should all get right on it.

