photo credit: dcjohn, 2005

A scented breeze blows through the win­dow of the win­dow­less class­room, and Mark piv­ots his left foot a quar­ter inch to the right, won­ders if Liza Chapman hears the squeak, piv­ots it back, won­ders why he didn’t know that would just mean another squeak, lifts his foot off the floor, bumps his knee on the metal sup­port for his desk, makes a sound with his tongue and the roof of his mouth, thinks it sounds like crack­ling ice, imag­ines ask­ing Liza if she’d like ice in her drink, wor­ries he’ll never say drink and mean some­thing with alco­hol with­out sound­ing like that dimwit Gregg Easterbrook (who puts his cap on that way like four­teen sec­onds after com­ing out of the shower), lets his foot dan­gle to keep from mak­ing more noise, spec­u­lates about the best way to set it down with­out giv­ing away that he hadn’t really meant to lift it up, decides to hook his heel on the metal bas­ket under his seat, feels grate­ful when the tip of his shoe touches the linoleum with­out mak­ing a sound, wor­ries he’s a freak for sigh­ing, con­cludes the sit­u­a­tion is stress­ful and that he’s respond­ing to stress, assures him­self sigh­ing is human and he is human and humans are amaz­ing things, sup­poses he really is too hard on Gregg Easterbrook, who is, after all, dyslexic, hooks his other foot onto the bas­ket, sup­presses a yelp when pain shoots through a mus­cle at the back of his right thigh, argues to him­self that it’s from vol­ley­ball, feels cer­tain he could’ve made that spike if his older broth­ers had ever wanted to play sports with him grow­ing up, imag­ines the dis­mis­sive way he’ll treat his broth­ers when he, Mark, oozes power as an FBI agent, thinks a breeze really is blow­ing through a win­dow in this win­dow­less room, tries to ignore the chill and the smell, like melt­ing candy corn, won­ders if dyslexia makes you do things like see the stripes in candy corn in the wrong order, remem­bers the right order as orange, yel­low, brown, black, regrets that he had once com­pli­mented Liza by say­ing she had a nice pumpkin-colored sweater on, cer­tain that she was repulsed by both an indi­rect ref­er­ence to her pumpkins—as his father’s hairy friend Norfolk called them—and by what a wuss he was to say pumpkin-colored, finds the breeze along his neck increas­ingly annoy­ing, unhooks his left heel from the bas­ket under his seat, knows the best thing to do in case some­one is watch­ing is set his foot down firmly, doesn’t blink when he stamps the floor so hard one of the quartz sam­ples Mrs. McMurphy keeps on the shelves near his head falls, falls smack onto his desk, thunk-thip, doesn’t blink, doesn’t blink, doesn’t blink—stop look­ing, Liza, stop looking—decides it’s impos­si­ble to be too hard on that chuck­ling idiot Gregg Easterbrook, won­ders whether the FBI ever stoops to arrest­ing guys who don’t have their act together enough to even be called pot­heads, real­izes his chest is tight and he needs to breathe, does so through his nose, qui­etly, blinks, breathes, blinks, blinks, hates that the melted candy corn smell is sharper now, sets his other foot down just as loudly, effec­tively shows every­body he isn’t afraid of them, doesn’t blink, remem­bers to breathe, grabs both sides of his seat, decides there must be a breeze because the seat feels so cold, so damp, and leans for­ward. He scoops up the quartz sam­ple. The rough part goes against his palm. He rubs the smooth side with his thumb. That rock is older than every­one. Everyone in the whole school combined.