From Here I Cannot Say What Kind It Is
by Brad Davis
To draw off the cat, a bird
flails in the grass, feigns
weakness to distract from
an actual weakness.
Something I admire.
But for his go-to-town shirts,
blue to mimic workingman’s
blue, B. Brecht paid dearly
to have them tailored in silk.
A different kind of con.
Like P. Picasso’s ride:
in appearance plebeian—
the quintessence of
taxi—in point of fact, purely
and privately, limousine.
Hardly the coital tremble
simulated to divert
attention from a partner’s
poverty of stamina
and/or technique. I get dizzy
trying to sort it all out:
the difference between saving
another’s and saving one’s own.


