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Learning Annex

Introduction to Poetry

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Introduction to Poetry

I began to teach poetry five years ago because I love poems. I do not do this in an ele­men­tary read­ing class, or a high school English class, or a col­lege lit course; I teach poetry to ABE stu­dents at the com­mu­nity col­lege. ABE is Adult Basic Education. My objec­tive, as an ABE read­ing teacher at the com­mu­nity col­lege in Olney, Illinois, is to raise the basic read­ing skills of my stu­dents who are between 16 and 60 years of age, men and women who never fin­ished high school and need to get their GEDs, men and women who want to go to col­lege, peo­ple who have lost their jobs due to lay-offs, peo­ple whose entrance scores weren’t high enough to land them in college-level courses.”

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The Art Equation or: How I Stopped Worrying & Learned to Love the Poem

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The Art Equation

In every intro­duc­tory cre­ative writ­ing class I have ever taught—elementary school, high school, under­grad­u­ate, sum­mer pro­grams, com­mu­nity arts classes, all of them—there has come a moment in the early days of the course where some class mem­ber sur­rep­ti­tiously approached me and con­fided in a whis­per that read­ing and writ­ing lit­er­a­ture scares a new hole into his belt...”

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The Cookbook Model: One Way to Circumvent Students’ Writing Anxieties

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The Cookbook Model

In a lec­ture on Zen Buddhism, Shunryu Suzuki explained, “In beginner’s mind we have many pos­si­bil­i­ties, but in expert mind there is not much pos­si­bil­ity.”1 As a writer, I am pleased by this notion; it seems true that every time I sit down to write, I am thump­ing across the field (some­times bat­tle­field) of the imagination’s pos­si­bil­i­ties, where I’ll encounter—in some order—both the oh! of won­der and the oh! of frus­tra­tion.2 Each time I sit down to write, I am learn­ing to write.”

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