About sus​sitout​.org

In mov­ing from a daily- to a monthly-publication sched­ule, we decided it was also high time for a new coat of paint. Which led us to decide on a new con­tent man­age­ment sys­tem. Which led us to WordPress. Which led us here.

This site func­tions bet­ter, faster, and more reli­ably than our old site, is eas­ier to main­tain, and its design is more in line with what we had envi­sioned for Suss from the begin­ning. It took longer than we had hoped to get from one to the other, but we’re cer­tain it was worth it.

This site was built by hand for us, by us. But that doesn’t mean we didn’t have help.

Generally Speaking

Chris Coyier at CSS-Tricks is pretty awe­some. His site—including the forums there—and his & Jeff Starr’s Digging into WordPress book and site were indis­pens­able resources dur­ing our build­ing process. These two men deserve a few rounds on the LS & S credit card at some point.

The Imagery

Unless oth­er­wise noted, the bulk share of images on our site come from the pub­lic domain, pri­mar­ily the Flickr Commons. Notable among those that don’t are the RSS feed icons, which were cre­ated and made avail­able by Angie Bowen at Arbenting, and the Twitter icon on our home­page, which is from the Practika icon set from Smashing Magazine, designed by DryIcons.

The Typography

The major­ity of con­tent on the site is set in Garamond (or Georgia if your machine doesn’t sup­port Garamond) and Helvetica Neue (or Arial if...). The main nav­i­ga­tion and the head­ers every­where but on the home­page are set in Adelle. The main cat­e­gory head­ers and the titles on the home­page are set in BigSmalls Bold. The drop caps found around the site are set in Aviano Didone. These last three fonts are pro­vided by TypeKit, a truly won­der­ful service.

The Suss logo uti­lizes a char­ac­ter from the HEretica font fam­ily. Our title up at the top of the page is set in MEgalopolis Extra. These two fonts were designed by Jack Usine for SMeltery and released as Open Type fonts. They too are won­der­ful. And like to cap­i­tal­ize the sec­ond let­ter of words.

The Fancy Bits

The slid­ing con­tent on the home­page is made pos­si­ble with Chris Coyier’s Anything Slider. (We weren’t kid­ding about his being awe­some.) The fad­ing con­tent rota­tions on the main poetry page are uti­liz­ing the jQuery Cycle Plugin devel­oped by Mike Alsup. The expanding-images cat­e­gory nav­i­ga­tion at the bot­tom of most pages (includ­ing this one) was adapted from a tuto­r­ial by Sam Dunn at Build Internet!. The “cleaner page” effect found on poetry pages was writ­ten by us, prob­a­bly poorly.

A Brief Note about Browsers

This site should work well and look good in all mod­ern browsers and back­wards through most older browsers still in use. However, because we had already taken far longer than we wanted on get­ting this new design up, there is one glar­ing excep­tion to that claim: if you are among the roughly 6% of Suss read­ers still using Internet Explorer 6, we feel for you but will be serv­ing you the Universal IE6 Stylesheet devel­oped by Andy Clarke. You will still have full access to all the site’s con­tent; there sim­ply won’t be any fancy bits for you to play with or pretty lay­outs at which to mar­vel. This will likely change in the future, once we have enough time on our hands (and applic­a­ble tools in our belt) to tackle the many IE6 bugs. We dis­like leav­ing peo­ple behind, under­stand most peo­ple still using IE6 are doing so not of their own choice, and hope to one day soon allow every­one who vis­its the site the same experience.

The Geeky Bits

The ini­tial design was roughed out in Adobe Photoshop and Fireworks CS4 using a 960 pixel grid (60 pixel columns + 20 pixel gut­ters) with a 24 pixel base­line. The XHTML, CSS, and jQuery were hand­writ­ten in Coda on a Mac in a home office rapidly being trans­formed into a nurs­ery. The sweat­pants are gray, the stub­ble is week-old or bet­ter, and the cof­fee is New Harvest’s deli­cious Kilimanjaro Blend.